Ai Weiwei stands in a room filled with millions of hand-crafted sunflower seeds |
Ai Weiwei: Never Sorry is a
documentary about a famous Chinese artist and political activist who I am
ashamed to say I’d never heard of. The movie portrays him as an uncompromising
crusader of social justice. His status as a world-renowned contemporary artist
gives him a strong voice when criticizing the Chinese government, an act that
sounds quite scary.
He has art exhibited all over
the world. He collaborated with Swiss architects on the design of the Beijing National Stadium for the 2008 Olympic games (Though openly criticized the Olympics
following this commission). His work ranges from installations of sculpture,
photography, performance art, and video. A lot of his activism in this
documentary focuses on his reaction to the great Sichuan earthquake which led
to seventy thousand deaths, many of which he feels were due to substandard
government buildings. When he decided to investigate the deaths of five thousand
child students in poorly constructed schools, the government would not release
their names.
While Ai Weiwei has fought
for many causes, he has been subject to police brutality and many government
enforced shut-downs of outlets he used for spreading his thoughts. His current
choice of media is a Twitter account, which the government can’t touch. The
documentary makes great use of this fact by using displays of his tweets as a
regular narrative passage.
Ai is a very fun interview
subject. His artistic sense of humor (He painted “Coca-Cola” on a Neolithic vase) and uncompromising views are all conveyed with a very calm and soft
voice. He’s doing his best to enjoy the notoriety he’s created for himself in
his country. His art and activism are one and the same. What he feels compelled
to produce comes from his frustration of repression. While his acts of defiance
are at times immature, they are always entertaining and he feels them to be the
appropriate response to, what he feels, is a bullying force. His activism may
not utilize the right tactics but it has the artistic power of influence.
Listen to the review by John Powers.
Listen to the review by John Powers.
Aside from a tremendous
amount of coverage following Ai with friends and family as he plans and attends
art installations, we get interviews with journalists, artists, and cultural
critics who discuss this man’s impact and what it means to challenge
current-day China. It is rightly pointed out that Ai is only able to function
as an activist today because of a modern China that is comparatively more
democratic. Ai is adamant in fighting national complacency and the attitude
that things are good enough.
Overall, this is a
documentary that feels personal, funny, informational and finally, open-ended.
The artist is currently dealing with possibly fabricated charges of tax evasion
with no chance of leaving the country, and was forced to comply with the demand
that he stop speaking out. There is a point late into the documentary when Ai
has been released on probation after a long absence and interrogation. It is
scary to see this normally brave outspoken man afraid in his refusal to make a
statement. Naturally he’s back at it.
My familiarity with Chinese
artists is, like most things, through film. What I know about Chinese film-makers,
is that even when they seem like they are being subversive, they never admit to
it. Ai Weiwei is an artist with bold statements as an advocate for democracy. This
movie captures a brutally honest yet warm personality that gives us
re-assurance that the art world still has very courageous heroes.
The documentary is directed
by Alison Klayman and won the Special Jury Prize at the 2012 Sundance Film
Festival.
You can hear an All Things Considered interview with Klayman here.
You can hear an All Things Considered interview with Klayman here.
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