Nicholas Hoult, Rob Corddry, and Teresa Palmer in Warm Bodies |
It’s the beginning
of a new year! This means that unless you’re catching up with Oscar candidates
from the films of last year, which are currently in theaters, you don’t have
many options in terms of good new movies. This is when studios release every
movie for which they had little faith. So here’s a movie about a zombie who
falls in love…
Meet R, played by
Nicholas Hoult (eye candy to some) He is our zombie hero for the film who
barely possesses the ability to speak, so his thoughts function as the movie’s
narration. His words to the audience are friendly and seek sympathy for his
existence that is rather devoid of good feelings or nice memories. The first
letter “R” is all he can remember of his original name. His desire for human
flesh is necessary to stay alive and brains are the best part. When you eat the
brain of another, you experience their memories providing a euphoric feeling of
being alive again.
As he and a herd of
corpses attack a group of survivors searching for medical supplies, he
encounters Julie played by Teresa Palmer (eye candy to others). He falls in
love at first sight. R winds up killing Julie’s boyfriend and eating his
brains, absorbing his memories, which leads him to learn more about Julie. She
does not witness this, but R catches up with her as she is in a defenseless
state, abandoned by the surviving members of the party. He then smears blood on
her face to give her the appearance of another corpse and takes her back to his
lair in an abandoned airline jet to keep her safe.
Julie slowly learns
that R possesses characteristics she wouldn’t assume a walking corpse to have.
He collects vinyl records and antiques. He can also muster up the ability to
speak a word or two… or three or twenty.
Julie grows to care
about R and wonders if the corpses are possible to save. Maybe she can convince
her father, General Malkovich (I wish that were his character’s name) to
reconsider his war on the dead.
The movie also
establishes the Boneys: Zombies who have deteriorated down to walking skeletal
beings who are the elite among the dead. Since this movie asks us to care about
the walking corpses, there has to be another antagonist that is more zombie
than zombie.
Let me get the
obvious out of the way first: The idea of a zombie point of view works entirely
against the purpose of a zombie. They are unthinking unfeeling beings robbing
bodies of life and individuality. The interior monologue of a zombie is absurd
and is therefore intended to be funny.
Warm Bodies is
writer-director Jonathan Levine’s attempt at making a romantic zombie comedy.
Based on a novel of the same name, the story is deliberately silly in concept,
but I feel like it still became unnecessarily sincere at times. There are parts
that get the tone absolutely right. The narration is funny and some of the
synth-pop love music soundtrack selections make a wonderful contrast to the
morbid atmosphere. On the other hand, Levine often fails to embrace the story’s
corniness. This is his third film, and like The Wackness and 50/50 it has a
daringly intriguing idea, but lacks a strong central foundation.
I’ve always
understood that the trick to making a goofy idea work, is to give it heavy
subtext and this film has its share of allegorical elements and a story that
deliberately echoes Romeo and Juliet –minus the tragedy. Though the movie
dabbles in deeper meaning, none of it is solid enough to keep it energized or
get away with the “love conquers all” resolution.
There are a few big
laughs including another great jab at the predictability of groan-inducing montage
scenes (Team America: World Police still ranks at #1 at doing this). It was
also great to see Rob Corddry cast against type, playing a short-spoken Zombie
and not an over-the-top comical jack-ass.
This may have been a
unique comic twist on the zombie genre but it doesn’t succeed the same way Shaun of the Dead did and doesn't approach the hilarity of Zombieland. Warm Bodies isn’t terrible, but I felt its mediocrity left me with a lifeless feeling as I
made my way out of the theater when the credits rolled. Is the popularity of
zombies making zombies of us?
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