** out of ****
Reviewing a feature-length
film that is driven by real-life pranks, such as the work of Sacha Baron Cohen,
or that of Johnny Knoxville with this particular movie, isn’t unlike an attempt
to review pornography. Am I evaluating a movie or the money shots? Let’s not
think about that. Bad Grandpa is a mostly awful movie with a few moments of
perfect hilarity. I was glad I saw it, if just for those moments. At least they
saved the best part for last and when the movie was over, there was a guilty
little grin on my face but it didn’t last very long. Bad Grandpa is nothing
compared to the tears of shameful joy that followed my viewing of Knoxville and
his friends in the earlier Jackass movies.
Bad Grandpa follows Knoxville, dressed up as an old man with a child (the excellent Jackson Nicoll) pretending to be his grandson, pulling all kinds of sordid practical
jokes on unsuspecting people. It’s an old man and a child. What are you going
to do? I guess that’s the dare. What does it take for people to lose their cool
with such a duo? Built around these hidden-camera shenanigans, are staged
scenes, which create the story of a recently widowed old man who is resentfully
taking a road trip with his grandson. The kid’s mom has been thrown in jail but
his criminal father is willing to take him, hence the trip.
As predicted, this movie
lacks the variety we have come to expect from the Jackass crew. Trying to
revolve an entire film around Knoxville’s famous Grandpa character was a risk
that didn’t pay off. Using a half-assed narrative, as Cohen did with Borat and BrĂ¼no, creates a fictional vessel, which makes one question the
authenticity of each prank. It’s distracting to wonder how many people, in each
given scene, are in on the joke.
Unlike Cohen,
Knoxville’s improvisational skills are limited. There are way too many scenes
of Grandpa making women uncomfortable. There are parts later in the movie when such
disgraceful behavior actually provokes some funny reactions but the cheap laugh
has already been played to death. I think less of Knoxville for falling back on
it too often.
Knoxville’s talent
is really in physical endurance through dangerous stunts. Using his Grandpa
character perform actions, which could paralyze or kill someone over the age of
fifty, are the most effectively jaw-dropping parts of the movie.
The highlight scenes
of the film include, an out-of-control electronic bed in a used furniture
store, ladies night at a dive bar, fishing at a golf course (which results in a
bad punch-line inspired by a South Park episode), and a child beauty pageant (inspired
by Little Miss Sunshine).
Jeff Tremaine’s
direction is best suited to the documentary style he used in the other
Jackass movies. I was a little bummed-out that Spike Jonze was so involved in
this production and only bothered to play a corpse.
What definitely helps the movie, is the standard
end-credit montage, which includes many of the “you’re-on-‘Candid Camera’”
results of the film’s pranks. This is always the more endearing footage to see in
the Jackass movies because it reveals the tender side of these bad-boy
filmmakers who show empathy towards the people they’ve pranked. More often than
not, these seemingly mean-spirited endeavors have proved how many good people
are out there, willing to stand up to bad behavior –even if it was by people
who could afford to get away with it.
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