**1/2 out of ****
Did you ever see Short Circuit 2? If not, don’t bother. I
think South African director, Neill Blomkamp’s latest grungy sci-fi film,
Chappie seems to take some inspiration from that bad ‘80s movie about an
innocent impressionable robot who gets exploited by criminals –except it’s way
more violent. I get the sense that Blomkamp is usually channeling the kind of
fantasy fiction popular during his childhood. He loves clunky high-tech machinery
set against a bleak futuristic landscape of gritty impoverished life. Like
quite a few movies from that era, his films also feature content, which
interest kids but come with R-rated ultra-violence attached.
Chappie is set in a future Johannesburg where the police
force is made up of unstoppable robots. A desperate criminal gang (played by the
South African “rap-rave” group, Die Antwoord) abducts a scientist (Dev Patel) under
the impression that he has the ability to thwart the robots from interfering
with their crimes. However, it turns out that the scientist was in the middle
of an unauthorized experiment to imbue a damaged robot with real consciousness.
When activated, it has the mind of a child, with the ability to learn fast. The
gang keeps it, naming him Chappie.
Like his hideous, yet mistreated aliens in District 9, Blomkamp
has once again succeeded in winning my empathy for a non-human character, which
is computer-generated. He also continues to shoot CGI filled movies with
seamless results.
Despite his gifts as one of the few effects-driven directors
who know how to create a convincing environment, Blomkamp, for the third time,
fails to develop his thought-provoking plot past a half-baked stage. Just like
his other films, there’s a point where the story turns into brainless tiresome
action brought on by dumb characters. In this film Hugh Jackman and Sigourney Weaver lend their star power as moronic antagonists in an attempt to boost the
film’s box office potential.
In spite of all the inexplicable story developments, I still
kind of liked Chappie. There’s something endearingly weird about giving Die
Antwoord a vehicle film through big budget sci-fi with a sweet-natured robot
character. Still, when is Blomkamp going to grow up and use his abilities for a
story that makes sense?
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