**1/2 out of ****
As a movie
fanatic, there is something deadly about feeling aware that I am sitting in a
theater watching a movie. The seductive quality of a good movie distracts me
from my popcorn, soda, and some jerk texting away on their phone. The inept
jaw-dropping embarrassment of a bad movie can do the same. It’s when a movie
stands in the middle with a generic sense of purpose and almost no sense of
identity that my awareness of time and space in the real world take hold and I
wonder what I’ll be doing after it’s over –aside from figuring out how to
review it.
Journalist,
Kim Barker’s book, The Taliban Shuffle: Strange Days in Afghanistan and Pakistan has been loosely adapted into a loosely funny feature called Whiskey Tango Foxtrot starring Tina Fey –who also produced the film. Like a lot of
Tina Fey vehicles, this one is compelled by tough subject matter but aims for
the safety of the broad appeal she’s always managing to win.
Fey’s
character is a journalist who jumps at the opportunity to work as a war
correspondent in Afghanistan near the end of 2003, leaving a life and
relationship on hold. What is supposed to be a three-month job turns into a three-year
experience of intense reporting aided by hard drinking.
Margot Robbie and Martin Freeman both play reporters who simultaneously scare and
seduce Fey’s character with the dangerous version of journalism they embrace. At
the same time, she’s given wise advice by her Afghan guide who recognizes her
addiction to reckless risk-taking.
The guide
is played by Christopher Abbott, who along with Alfred Molina does good work in
this film with an Afghan character but this seems like the wrong kind of movie
to continue the longstanding tradition of failing to employ middle-eastern
actors in roles written for them. Hell, “Iron Man” did a better job in this
area.
Glenn Ficarra and John Requa may have been responsible for writing the lowbrow
masterpiece Bad Santa, but their turn as directors-for-hire hasn’t proved to
be anything worth their time. They shoot the film with competent realism but
first-time screenwriter Robert Carlock (TV’s 30 Rock) has created a bunch of
material that seems tailored for Fey’s keeping-it-together comedy shtick and
tries to focus the humor toward the after-hours debauchery of eccentric
journalists as if the R-rated depravity substitutes for the endless missed
opportunities of political satire. The combined ingredients of this movie just don’t
gel.
Jon Stewart’s 2014 film Rosewater may not have been a great film, but it was
driven with more determination and thematic focus from a comedian finding a
meaningful way to tackle the threatening anti-comedy of our world’s troubles.
Despite its
heavy language and racy scenes, Whiskey Tango Foxtrot is a rather banal
experience that let me know how low its ambitions were quite early on - and it
fulfilled them as it only inspired a steady flow of chuckles combined with
tension that lacks any real sense of dread. As I feel no sense of satisfaction
or outrage, I would say that “WTF” does not live up to its title.
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